An Allegory of the Vanities of Human Life by Harmen Steenwyck is an oil house painting which falls inside the genre of a Vanitas popularised by Dutch painters during the 17th century. The theme of this type of painting is meant to evoke thoughts of the futility of possessions within human life.
The angle of vision is close to and looking overmatch drawing the spectators gaze upon a wooden table caparison various objects. A strong shaft of light, perhaps from a highly placed window, is shown as coming from the top odd-hand(a) to the central foreground of the composition and falls directly upon the left side of a skull which dominates the work. The viewpoint also ensures notice of an blank shell placed apart and lit on a curved surface echoing that of the skull.
Behind the skull is an inverted wooden lute which has a warm orangey glow created by this light source. elevate iconography is present with the depictions of books, a smoking taper, an devote pocket watch, a shawm, a sword and what is perhaps a brass candlestick which has toppled over - items symbolising the intended theme of lifes frailty. An item (perhaps a book) bearing Steenwycks name down the spine is an interesting addendum and the reason for this inclusion is thought provoking.
Nestled amongst these items are pieces of fabric, matchless of which is a pale but luxuriant pink and 1 a dark green which add to the shading and tone.
In conclusion, the iconography of the open pocket watch and skull symbolise the shortness of time on earth before the living human form is cut back to bare bones thus reinforcing the theme of futility. Careful swing strokes and a wide tonal range of earthy work give the whole work outstanding clarity . Steenwyck has...
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