History and Preservation of Parthenon Building

At the end of the Exposition, demolition crews proceeded to dismantle its several pavilions as well as other structures. The Parthenon replica had proven so well-known with visitors, however, that public opinion clamored for your preservation on the structure. For ones next 23 years, the Parthenon remained a durable attraction in sync on the Athens with the South.

By 1920, the plaster structure was somewhat the worse for wear, and demolition plans had been afoot. According to Robbins, the Nashville's Board of Park Commissioners conceived the idea of constructing a full-size replica out of much more durable materials. Thus it was how the original structure was demolished to generate way in your concrete replica whose proportions and ornamentation have been carefully researched, and great attention was paid to detail.

Project participants produced use of the Elgin Marbles, which were inside the British Museum due to the fact the early 1800s. Casts on the Marbles were made in Britain and shipped for the U.S., "not only as an exhibit but as study-pieces for the artists who reproduced the finished sculptures now a part with the new Parthenon" (Robbins 47). The finished sculptures that have been reproduced had their source in sketches made by French artist Jacques Carrey of the ornamentation and sculpture that were in the structure in Athens. They had been significant on the Nashville Parthenon because the original pieces in Athens have been destroyed in 1687.

Reconstructions and renovations in Athens have come to be far more controversial than they are in Nashville. The original Parthenon was a temple dedicated to Athena, the patron goddess of Athens. Inside 5th century AD, as Christianity decisively displaced Hellenic polytheism, the Parthenon was transformed into a Christian church. When the Ottoman Turks conquered Greece, they converted it into a mosque--and, as it turned out, a gunpowder storage facility (Robbins 47). Today, the Parthenon on a Acropolis in Athens is chiefly a tourist attraction. It became a center of controversy within the run-up towards the Athens Olympic Games in 2004, once restorations were undertaken on the original structure (Winestock A1). One more ongoing controversy around the original Parthenon stands out as the simple fact that so a lot of its sculpture was looted more than the centuries. Probably the most famous looting with the Parthenon was the conversion with the Elgin Marbles; however, other pieces of Parthenon sculpture are recognized being in Karlsruhe, Germany, along with Palermo, the Vatican, Paris, and Copenhagen (Evans 114).

The bigger of the permanent collections, The Cowan Collection of American Art, represents American artists Winslow Homer, William Merritt Chase and others. James A. Cowan, a Chicago art collector who grew up in rural Tennessee and visited the 1897 Centennial Exposition, heard several years just before his death in 1930 about the proposed permanent replica of the Parthenon. He gave his collection of 63 valuable pieces of American art towards the city to display inside Parthenon, and they have been there simply because the Grand Opening in 1931 (Robbins 48).

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