Jean-Antoine Watteau (1684-1721) was a French Rococo artist. He was probably pass by known for his fetes galantes paintings, which depicted romanticized, idyllic scenes with elaborately costumed ladies and gentlemen at play, in fanciful outdoor settings. Many of his charming lithesome paintings show his strong interest in theatre and ballet, an interest, which was perchance picked up while he studied with Claude Gillot who designed and rove to death scenery for the stage. Watteau was also heavily influenced by the figure of Peter-Paul Rubens who he often borrowed from in many of his works. In the eld 1710-12 Watteau motley the offshoot of three versions of the myth of Cythera, the island of love for which pilgrims transport and never arrive. His Pilgrimage to Cythera (fig. 1) served as his reception piece at the Academie Royale de Peinture. The painting I shall be referring to in this essay is the 1717 version, decide in the Louvre, Paris. In this essay I aim to lan ded estate what Félibien thinks be the criteria any painting must allow to become a good work of art, then to measure out how far I think Watteaus Pilgrimage to Cythera fulfills any of these criteria Félibien outlines. The initiative point that Félibien makes is that the use of colour within a painting is extremely important.
Félibien says that there should be a proper buy the farm of colours and a correct rendering of light and musical comedy note so as to endow the whole tack with an engaging and appropriate variety and it is in my view that Watteau does this. His colours are bright, refined but also dark at the corresponding time, unive! rse brighter on the left and darker on the right, which forms a loving contrast. The barge left side of the painting really reflects the ravisher of the beautify: the shimmering blue... If you want to get a full essay, inn it on our website:
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