Describe what you result see on the way.
As you enter the cathedral through the central or royal portal, the eye is drawn to the affright inspiring ceiling. This is, of course, not unusual in a cathedral, since majestically tall ceilings are used to point the way to heaven. We aline that the chairs have been removed from the gangway that will take us to the apse, however, we are unable to proceed directly down the aisle, as a floor labyrinth draws us to wander the celebrated labyrinth of the Chartres Cathedral.
Upon finishing the circuitous walk, we continue to the apse. Since the cathedral is set out in a cruciform shape, we pass by the two transepts (right and left rectangular shapes of a cross). Pillars line the aisle stretching a magnifi dismisst18 m to the ceiling. Once in the nave, we can observe the overleap ceiling (Chartres Cathedral of Notre Dame, 2007) which is 36 m high and stained glass windows on either side. prior to entering the Cathedral, we had noticed the unusual flying buttresses (the supporting arches over the windows) on the outside walls of the nave, created to support the extra tall vaulted ceiling.
The extraordinary stained glass windows are dark, but passive light enough to allow us to view scriptural stories, legends of the saints, the lives of heroes like Roland and Charlemagne, and scenes of everyday medieval life (Chartres Cathedral: dye Glass, n.d.). More examples await us in the apse.
2. Compare Giottos field of honor chapel service Nativity with that of Pisano in the Pisa Baptistery Pulpit.
Giottos Arena Chapel contains the frescoes of the painter Cimabue Giotto. The fresco of the Nativity is a part of the fable of the virgin. The story of the incarnation and infancy of Christ begins on the sanctuary Arch and continues to the middle register.
The pulpit by Nicola Pisano is...If you want to get a full essay, order it on our website: Ordercustompaper.com
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