Joseph Conrad's Heart of Darkness

..] the meaning of an episode was non inside like a kernel but outside, enwrap the tale which brought it out only as a beam brings out a haze" (Conrad 30). This is like the colonial experience, which looked to itself and its deliver "home society" to determine what was and was not acceptable (or regular(a) valid) in its new territories.

It is possible to question whether this novel is the report of Kurtz or Marlow's experience of Kurtz, and whether or not it is possible to nail down if Marlow was invented to tell the story of Kurtz's moral collapse, or if Kurtz was invented to provide a means of telling Marlow's own experiences in the congou as a colonial faced with the rule of the putatively "natural legality" rather than the "common law" of England. So closely ar the two characters interwoven in the plot that these questions become substitution to an chthonianstanding of what takes grade and what it means. What we as readers do know is that as Marlow tells the story of Kurtz, he is definitely sitting in judgment. When Marlow is told, in the Congo, that if he goes to the interior he will meet Mr. Kurtz, and is told that Kurtz is a "first-class agent," his disappointment is obvious, as this is insufficient information to draw out the interest of Marlow, who begins to seem like an inveterate gossip (Conrad 47).

new(prenominal) information immediately emerges that makes Marlow

somewhat more interested in meeting Kurtz. We learn that Kurtz is a "remarkable person," champion who wi

The practical work that Marlow is to do, i.e., the raising of the recessed boat, is what occurs on the surface; behind the scenes we become aw atomic number 18 of the intrinsic cruelty of the white managers and administrators to the native blacks shaped by the purlieu in which they find themselves), and we also are forced to be aware of the violence that lies close to the surface of life in this part of the world.

Death is commonplace; in one scene, Marlow and some other white man sit talking as an aged(a) black man quietly dies in a ceding back on the floor. Casual as this attitude is, it becomes clear that Marlow is under a strange environment all(prenominal)y initiated influence as he sees such events take place around him. When Marlow condemns the talk of the eldorado Exploring Expedition as "reckless without hardihood, greedy without audacity, and cruel without courage," he is, in actuality, making a judgment close all the white men he meets in the Congo and about colonialism (Conrad 61).

ll "go far, very far" and be a " individual" in the Administration before long (Conrad 47). He is, therefore, a stand-in for the Empire and the colonial administration, which has "gone far." He is one of great intellectual ability, a prodigy whose rapid muster up to prominence within the company that administers operations in the Congo is assured. Moreover, he is an artist with a sensitive vision of the place and its peoples. As readers, we have no reason to doubt that these statements are true; if, like Marlow, we are somewhat amused at the notion that such a paragon of perfection h
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